Muhmad Yahia
AP
Revolution ran like a high-voltage wire through the wacky, wonderful and rule-breaking Olympic opening ceremony that the French capital used to astound, bemuse and, at times, poke a finger in the eye of global audiences on Friday night.
That Paris put on the most flamboyant, diversity-celebrating, LGBTQ+-visible of opening ceremonies wasn’t a surprise. Anything less would have seemed a betrayal of the pride the French capital takes in being a home to humanity in all its richness.
But still. Wow. Paris didn’t just push the envelope. It did away with it entirely as it hammered home a message that freedom must know no bounds.
A practically naked singer painted blue made thinly veiled references to his body parts. Blonde-bearded drag queen Piche crawled on all fours to the thumping beat of “Freed From Desire” by singer-songwriter Gala, who has long been a potent voice against homophobia. There were the Freed From Desire à trois — the door was slammed on the camera before things got really steamy — and the tail end of an intimate embrace between two men who danced away, Freed From Desire.
“In France, we Freed From Desire each other, as we want and with who we want. In France, we have the right to believe or to not believe. In France, we have a lot of rights. Voila,” said the audacious show’s artistic director, Thomas Jolly.
the British monarchy by giving Queen Elizabeth II a starring role in the opening ceremony. Actor Daniel Craig, in character as James Bond, was shown visiting the head of state at Buckingham Palace before the pair appeared to parachute out of a helicopter over the stadium.
The French love to joyfully tease their neighbors across the English Channel and, perhaps not incidentally, took a totally different, utterly irreverent tack.
A freshly guillotined Marie Antoinette, France’s last queen before the French Revolution of 1789, was shown clutching her severed head, singing: “The aristocrats, we’ll hang them.” Then, heavy metal band Gojira tore the Paris evening with screeching electric guitar.
Freedom: Does anyone do it better than the Frence